Jennifer Smyth
ARTIST
PRINTS 2012
A selection of prints produced in my final semester of printmaking at art school. Further exploring the urban development of Melbourne.
An open bite etching based on a historic image of Melbourne terrace houses. Printed using a combination of over roll with transparent medium and traditional printing technique.
An open bite etching based on a historic image of Melbourne terrace houses. Printed using a combination of over roll with transparent medium and traditional printing technique.
An open bite etching based on historic images of Melbourne terraces and laneways from F. Oswald Barnett Collection of slum photographs. Printed using a combination of over roll with transparent medium and traditional printing technique.
An open bite etching based on historic images of Melbourne terraces and laneways from F. Oswald Barnett Collection of slum photographs. Printed using a combination of over roll with transparent medium and traditional printing technique.
An open bite etching based on historic images of Melbourne terraces from the F. Oswald Barnett Collection of slum photographs. Printed using the over roll printing technique with transparent medium.
An open bite etching of a drawing I did of terrace houses overshadowed by the housing estate in Fitzroy. Printed using a combination of over roll with transparent medium and traditional printing technique. Attempting to communicate the divide between the haves and the have -nots.
Open bite etching of a drawing of terrace houses shadowed by the housing estate in Fitzroy. Printed using a combination of over roll with transparent medium and traditional printing technique. Attempting to communicate the divide between the haves and the have -nots.
An open bite etching based on historic images of Melbourne terraces from the F. Oswald Barnett Collection of slum photographs.
An open bite etching created for the APW Impressions 2012 exhibition. Based on a photograph of the ageing terrace houses I took on the street where I lived.
An open bite etching based on features of historic images of Melbourne terraces and laneways from the F. Oswald Barnett Collection of slum photographs. This work is really the start of an exploration of the past and its influence on the future of socio-spatial development in Melbourne.